Scott

Scott is an initiate of the Third Road and lives in Oakland.

 
  • There’s a stop-action animated film called ParaNorman slated for next August which features a 300-year-old witch’s curse. The film may turn out to be okay, but the witch-piñatas do not bode well.
  • Sinfest has introduced a Big Wheel-riding feminist girl avenger who has been shaking up the strip and fighting The Patriarchy which led to this strip in which an animated feminist tome encounters the Bible.
  • My guess is that the huge success of Game of Thrones is behind it, but there are now two different television projects in development based on Beauty and the Beast. (George R. R. Martin was a writer for the beloved TV series in the Eighties.)
  • As the headline says at The Mary Sue, just take my woney.
  • I missed this when PC game phenomena Minecraft officially launched in November, but the game has a surprisingly spriritual short story tacked on to the end. BoingBoing interviewed the author who is influenced by the writings of Joseph Campbell. Here’s taste of the end:

    and the universe said I love you
    and the universe said you have played the game well
    and the universe said everything you need is within you
    and the universe said you are stronger than you know
    and the universe said you are the daylight
    and the universe said you are the night
    and the universe said the darkness you fight is within you
    and the universe said the light you seek is within you
    and the universe said you are not alone
    and the universe said you are not separate from every other thing
    and the universe said you are the universe tasting itself, talking to itself, reading its own code
    and the universe said I love you because you are love.

 

McKillip has been successfully publishing high fantasy novels since the Seventies, and her latest, The Bards of Bone Plain, released last month in a trade paperback edition is fabulous. It does not score as highly on the Paganometer as some of the other books we review here: the society it portrays is, apparently, wholly non-theistic, and the relationships it presents are implacably heteronormative. However, if you are part of a bardic tradition, like making music, or enjoyed the subset of McCaffrey’s Pern books centered on the Harper Hall, then you will almost certainly enjoy this book.

The novel is structured into two parallel narratives separated by several hundred years, and the chapters alternate between the two. The earlier narrative takes place at the founding of the kingdom of Belden and the establishment of the kingdom’s first bardic school at Caerau which will grow to become the capitol city of the kingdom. The later narrative takes place at the school in a time when the monarchy is long-established and steam power has just been discovered which gives the novel the faintest tinge of Steampunk.
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Every Pagan above the age of consent should see Dark of Moon because it is exactly the kind of film we have been waiting for all these years.

Pagan parents should be aware of two issues, however. First, the dialogue is pretty liberal in its use of profanity. In fact, the very first plot point in the film addresses one of the character’s unrelenting potty-mouth. The film lands somewhere between the films of Kevin Smith and Quentin Tarantino in its “fuck” count. Second, while the film is visually chaste (a couple of botched scenes of implied male nudity, and some enthusiastic kissing) there is ample, frank, explicit, locker-room-level bantering about these twenty-somethings’ sex lives. If you are comfortable with your kids learning the name of one of the character’s dildo, then, by all means, let them watch this film.

Lest your expectations be set too high, be aware that Dark of Moon is by no means a well made film. The movie is riddled with minor errors of film craft: visual continuity errors from one shot to the next, awkward camera placements, static blocking, after-the-fact inserts that do not really match, unintentionally awkward dialogue, bizarre set direction (Why is that stuffed duck there in the kitchen? Why is it central to the composition of the scene? Why does it apparently have a white lace garter dangling from its beak?), and acting that occasionally gets down to community-theater levels of hesitancy and fumbled reactions. We are not talking Ed Wood or Harold P. Warren levels of bad film technique here: it’s just a sub-par indie film in terms of the craft. However, if you are the kind of viewer who is inclined to be knocked out of the film by these kinds of issues, then this film is, sadly, probably not for you.

Because, nonetheless, this film is great.
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Celestial Elf created this delightful machinima, and posted link to it in a comment thread, but it’s way too good for The Juggler to let it languish there.

Evohe Blessed Yule!

 

Sovngarde, Skyrim's equivalent of Valhalla

As Pagans we are accustomed to being erased entirely from popular culture. Oddly, however, thanks mostly to the devout Roman Catholic J. R. R. Tolkien the default religious setting for Fantasy as a literary genre and Fantasy role playing games (RPG’s) in particular is polytheism. Middle Earth grew out of Tolkien’s interest in the Eddas and other mythic writings of Northern European cultures, and his wish that there were a similar literature in English. And it is fairly clear that the creators of Dungeons and Dragons, Gygax and Arneson, sought to leverage the popularity of Tolkien’s work in marketing their game. It did not take long until D&D was looking to other forms of polytheism as source materials for the game. Thus, when computer versions of RPG’s were created it became fairly de rigueur to create a pantheon as at least window dressing for the setting.

And so we come to the release this past month of Skyrim available for the XBox, PS3 and PC. Since this game is the fifth iteration of single-player CRPG’s in the same setting, the details of the religion of the world of The Elder Scrolls have become fairly thoroughly fleshed out. Furthermore, they are documented within the myriad of books within the game which some studious collectors have collated and published as free Kindle, Nook and iOS files.
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  • La Luna, the short which will precede Pixar’s Brave looks to be interesting as well, and slashfilm.com has a good interview with the director.
  • Someone at io9 put together a fairly comprehensive table comparing how magic works across various modern works of fiction.
  • Flavorwire has posted a “Pagan Holiday Playlist,” but by “Pagan” they seem to mean “non-religious”. Nevertheless, it is interesting that they’d come up with the idea at all, and, furthermore, they do include Dar Williams’ “The Christians and the Pagans”.
  • Not to be outdone by Yale’s posting up of the Voynich Manuscript, Cambridge is scanning and posting Sir Isaac Newton’s notes and manuscripts. Unfortunately, his alchemical writings were sold off from the collection in 1936.
 

Hexes and Hemlines is the third of Juliet Blackwell’s Witchcraft Mystery series. This novel returns to the investigations of out intrepid heroine Lily Ivory: proprietor of a vintage clothing store over in the Haight, a “natural” witch, and someone who seems to find herself frequently involved in murder investigations. Not much time has passed for Lily since the last novel. The Art Deco Ball slated for October in the first novel still has not occurred, and Lily still does not have a date for it. After having done the deed with Max, the skeptical reporter, he has pretty much fled the scene, pining over his dead ex-wife and fearing committing as to a lover as deeply again. But Lily’s love life is almost purely incidental in this third novel in which Lily solves the murder of Malichi Zazi, ardent rationalist, founder of the Serpentarian Society, and son of Prince High Zazi who very publically founded a tradition of devil worshippers back in the Sixties.

The elder Zazi is, of course, a thinly disguised version of Anton LeVay, and, in fact, in the course of her investigation Lily visits him at the Black House which, apparently, still standing in the world of Blackwell’s mysteries. Nor is he the only famous San Franciscan to be included in this novel, for one of the murder suspects is Nichol Reiss, a movie star who had been caught shoplifting some years before. Blackwell is loose about these characterizations: Reiss is the daughter of a U.S. Senator, for example, and the group that the elder Zazi creates is much more like what what Red State culture fears the Church of Satan is rather than what modern Satanism is really like.
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  • Yale has finally scanned the Voynich Manuscript and made it available on the web. So tantalizing, and yet no cryptographer, linguist or historian has cracked its code.
  • The Hairpin has a nice interview with a tiny house enthusiast.
  • Two words: Daria cosplay.
 

[Update: this interview was way too good not to sneak into the links here today.]

 

The Secret Circle: a horribly regressive view of magic, but just look at that gorgeous set decoration

It’s reaching the point where I’m wondering if we as a community should start considering actively protesting this show.

So far by my count eight characters have been killed on the show in the first seven episodes which is not necessarily a huge body count by prime time drama standards — crime procedurals generally subsist on at least a death per week. But every single death in this show has been caused at least indirectly by a witch. Cassie’s Mom, Amelia, was killed by Diana’s Dad, Charles. Faye killed Sally (but her Mom, Dawn, is there to revive her). Dawn killed her father-in-law Henry. Cassie awakened Heather from sixteen years of spell-induced catatonia only to have her run in front of an SUV. Charles killed Nick trying to exorcise a demon from him. Nick’s brother Jake killed another witch Calvin Wilson as well as a witch-hunter Simone. And Cassie killed her first date at the school, Luke, when it turned out that he was a witch hunter as well who’d been left alone with the task of killing the five remaining bound members of the circle.
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