I have two confessions to make: I have never seen the HBO Documentary Paradise Lost or the follow up documentary, Paradise Lost 2: Revelations.

I’m not qualified to comment on legal issues presented in this movie. I can form opinions just like anyone else, but those opinions will be based entirely on news stories I read and the third installment of the Paradise Lost series, Purgatory. This aired Thursday night on HBO.  What I can comment on is the quality of the programming and what the modern Pagan community might find most interesting about it.

If you are not acquainted with the story of the West Memphis 3, there are plenty of available resources.  I knew as much as was covered in the national news over the last 17 years before sitting down and tuning on HBO.

The filmmakers did a good job of summarizing the events for people who might not have seen their first two installments.  It brings the story up to date, shows the celebrity involvement to make the case public, and brings up the information from forensic experts who declare that they can’t say who did it but it was less than likely any of the WM3 were involved.  There are interviews with the men who had been in prison since the early 90s, all three maintaining their innocence.  Most importantly, the documentary includes an epilogue describing what happened in August of last year.  In fact, the movie was scheduled to be aired in November of 2011, but the events of the surprise hearing in August made them pull the movie and include the new information.

The men were offered an Alford Plea from the state.  I was moved my John Mark Byers, father of one of the murdered boys, who has spent some time reconsidering the events and believes that the three teenagers were not responsible for the crimes.  He is interviewed outside of the courthouse where he declares the Alford Plea to be “bullshit”.

I can’t help but agree with Byers – a man who at one time burned the WM3 in efigy and later was accused by Echols himself. Today, he firmly believes that the three men are innocent and added his voice to the fight for a new trial.

They would have been granted a new trial, according to the documentary, but Arkansas made a sharp left turn by calling a special hearing and offering them the Alford plea.  Rather than exonerating the three convicted men, this option exonerates the state from being accused of a witch hunt themselves. They wash their hands of it, the men proclaim innocence but declare guilt and everyone goes home and about their business. Meanwhile, someone really brutally murdered three little boys and they will never be caught. They can never be tried for these crimes because someone else is listed as guilty. But why would the state just let three murderers walk free unless they thought they would lose the new trial?  In Byer’s words, it is indeed Bullshit.

Of course the idea of a legal witch hunt is important to modern pagans.  The film makes a convincing case that Echols was convicted of being “weird”. Baldwin was convicted for being friends with the weird kid. Misskelley appears to be convicted because he was simple. This is disturbing for anyone, not just Pagans. One of the most disturbing segments of the documentary focused on Dr. Dale Griffis, the prosecutions so-called Occult Expert. During the trial, the defense attempted to discredit him but the judge was unconvinced – a mail order degree from an uncredited school was a perfectly fine way to declare expertise in a field. But the documentary shows Griffis’ office – and the hand drawn degree mounted on the wall and the drawers and drawers of vVHS tapes of him speaking on the subject. Turns out, a year before the murders, the local police had contacted him about Echols. Provided him with drawings and writings that Echols had done – including wizards holding “athames” and pentagrams. To some people, these appear to be angsty teenage doodlings. To Griffis, this was clearly Echol’s way to commune with the devil.  The now elderly “expert” shakily unfolds these drawings for the camera to discuss what they mean. It is clear that the police had their eyes on the teenager for a long time, and any reason to pin him down to something devastating was just waiting to rear its head. However, we  should also be cautious that we don’t paint Echols as a martyr. He had a troubled past, but it is an important distinction that a being a troubled teen does not mean a person has committed murder. We are fond as a country of sensationalizing murder trials. I appears we have been doing it since Salem.  And just look at Casey Anthony and Joran van der Sloot – guilt or innocence doesn’t actually mater as long as it makes for an interesting news story.

The documentary is moving. It is challenging. It is even in some ways inspiring. But even though the WM3 have walked out of jail, they are not entirely free. They are marked. They have a past. They will always have a cloud around them.  In this case, though, the documentary was not simply about documentation. After the first film, they raised enough doubts to encourage people to take action.  They made a second film to show the world what they discovered.  They made a third film to show how people were trying to work together to free these men. This is not only a social commentary – this was social action.

 

 

I don’t have much to share, but I wanted to let everyone know that the third documentary about the West Memphis 3 titled Purgatory will premier tonight at 9pm on HBO.

 

The Promise of the Tree of Life: We celebrate a Day of Peace, a Day of Harmony, a Day of Joy we all can share together JOYOUSLY! A Day that takes us through the Darkness! A Day that leads us into the Light! A Day that makes us want to celebrate the LIGHT!

If like me, you were a kid at any point during the 1970s, you understand how Life can be divided in some ways into two distinct periods- pre- and post-Star Wars. So groundbreaking and revolutionary did this movie seem, I think its super-blockbuster reception (it was the first movie-blockbuster, and in a lot of ways remains the quintessential movie-blockbuster) took even George Lucas by surprise, and I don’t believe that he had a really good idea initially as to how to follow it up: hence, the 1978 Star Wars Holiday Special.

Kind of infamous on the camp-culture scene both for being kind of all over the place, and for presenting the Star Wars characters in a format strongly suggesting a Saturday morning kids’ show- the ostensible “plot” involves Han Solo’s efforts to deliver Chewbacca to his home-planet in time to celebrate the Wookie-Holiday Life Day. “Relax, Big Guy- have I ever let you miss a Life Day yet?” “ARRHH!”

In conception, it probably seemed reasonable on paper: variety shows were big in the ’70s (I was there; I know), so the script probably seemed like an interesting way to incorporate lots of variety show sketches and musical numbers, utilizing the Star Wars technology that struck everyone at the time as such an impressive leap in cinematic accomplishment. This however, leads to a very, very strange and disjointed holiday special, no episode of which remains in my memory as vividly as that featuring Guest-Star Beatrice Arthur as a sci-fi tavern-keeper whose business the Storm-Troopers shut down. This introduces an oddly Bertolt Brechtian musical number whereby Ms. Arthur  serves her customers one last round of drinks with the song “Good night, but not Good-bye!” It’s a little as if suddenly Star Wars turned into an outer-space version of Threepenny Opera, with TV’s Maude as Pirate Jenny.

The whole thing reaches a true climax of surrealism when Carrie Fisher turns up at the end as Princess Leia, to sing “The Life Day Song.” It is a little startling to realize that Ms. Fisher could actually sing- until you stop to reflect that her parents were crooner Eddie Fisher and MGM musical star Debbie Reynolds. Then watching her sell the song, you have the impression of what it might have been like if MGM had made sci-fi musicals, with Star Wars being directed by Vincente Minnelli, say, instead of George Lucas.

It is a very strange pop-culture moment, when Princess Leia sings a paean to Life Day. But then- isn’t “Life Day” actually a good metaphor for the Pagan Solstice, with its promise of the returning of Life along with the Light?

And as well (as Princess Leia says): No matter how different we appear, we are all the same in our struggle against the Powers of Evil and Darkness. So Happy Life Day, Pagans!

 

 

I wanted to start by saying that this week’s episode of Once Upon A Time has been my favorite of the season. Not the least of which is that we met the Huntsman from Snow White. In his first scene, he killed a deer and then prayed over the animal to thank it for it’s sacrifice. His character was about as Pagan as Pagan could get and not be called “Pagan”. Unfortunately, they won’t have an opportunity to expand on his character. However, we also learned a little more about the Evil Queen/Regina which isn’t necessarily surprising but is a great advancement of the storyline.

American Horror Story also had a banner week last week. (I have not yet watched yesterday’s episode…I am waiting for Saturday to do that).  The episode “Smoldering Children” was praised by critics and fans alike. The story took a way cool twist that, like the queen in OUAT, wasn’t unexpected but was very well done. I just fear that Ryan Murphy and his writing team are falling too far down the rabbit-hole exposition. Like the absurdity of Glee, AHS’s gruesomeness shouldn’t need to be explained it should just unravel. There are parts of me that wonders if this is just shoddy story telling and they are covering up for some continuity errors from previous episodes.

However, if you do want to have some fun at the expense of Glee – check out the Community Christmas Episode that aired last week. Fabulous!

However, ‘Tis the Season for all things Christmas on television. You can’t escape it. Even this week’s actual Glee episode they got a little Jesus-y on us. Not that there is anything wrong with that, but they also have these Jewish characters who just sort of went along with for the ride.  Every time you change the channel you see another made for television movie about one Christmas Miracle or another. I love holiday schmaltz as much as the next girl, but after a while I prefer something with a little more substance. There are three old Christmas specials that, as Pagans, we should all have in our Yule Movie Library.

The Muppets Christmas Carol

Really, any version of A Christmas Carol is very Pagan friendly. Scrooge is visited by three spirits to teach him about karma.  I happen to love the style and humor of the Muppets version of the story.

Emmet Otter’s Jug Band Christmas

Another offering by Jim Henson, this old production from the 70s is still just as awesome today. It is a twist of the Gift of the Magi story, and yes I know that it is fundamentally Christian in nature. But the little otters of Frog Hollow do a great job telling the story without any judgement in that regard. Plus, the puppetry and tiny sets in the special are awe-inspiring.

The Life and Adventures of Santa Claus

I actually wrote about this last year, so click on the link to see what I already said. But this story is undeniably Pagan in tone and well worth a place in all of our holiday traditions.

 

 

 

 

Hello Jugglers. Contrary to popular belief I haven’t fallen off the face of the earth. Okay, maybe there isn’t any sort of popular belief – I am not even sure anyone noticed I hadn’t been posting. My apologies for not being around much. There have been a few reasons for that.

In November I took a trip to South Africa to visit friends, but there was a broader mission, if you will, to the trip. These friends are with an organization dedicated to helping children affected by the AIDS and child rape epidemics in that country. We went over to help them start a project to build a shelter for the 20 children who are currently living in a two bedroom house in the townships outside of Durban. We hope to not only build a sustainable place for these kids, but offer a place for additional kids who need help.  While we were in Durban we did our fair share of tourist activities, but we also did quite a bit of work with the people there and have forged friendships and partnerships that will last us a lifetime. This experience has affected my outlook on several things – including my relationship with my television.  On top of that, we are preparing to move into our 120 square foot off the grid house next year and my habits will have to change drastically at that time.

Also, as it turns out, we have entered the mid-season hiatus time of year.  So, even if I did feel like watching a lot of television, there isn’t anything on from now until after the first of the year. Whichever one is the actual reason for my absence is still up for interpretation.

Don’t get me wrong, I did spend some time after returning to catch up with things I recorded while we were gone. However, there was a time in my life that I would have spent the first three days back from a trip catching up on everything at once. That was not the case with this trip back. I took my time, watched them as I had a spare hour or two while not working on projects for the ZOA or the Tiny House (not to mention working a full time job).  I don’t know what this means for my future here at the Juggler – or at least as someone who regularly keeps up with sci-fi television for our readers, but my life is changing and I may have to find a new place for myself.

But, since I am still here I thought I would recap some of the television up through the mid season hiatus.

Fringe – Still my favorite show on TV. This season has been an absolute roller coaster. First there was no Peter, then Peter was back but no one knew who he was. But wait – maybe it isn’t actually Peter that is out of place.  What if everyone else is part of yet another alternate universe? Fringe plays a hardball game with the concept of infinite universes and I trust that they know where they will be taking us.  Mid-season ended with a cliffhanger that makes us rethink everything we thought before. How could they…again?

The Walking Dead – Just like Fringe, even though this show isn’t specifically Pagan there are a lot of things that spiritual people of any faith can take from the series. This season, more than the establishing mythology of the first, is really about exploring our relationships to the post apocalyptic world around us and how it might change us. Characters we thought of as bad are surprisingly good. Characters who we thought were good are really really bad and characters we thought were alive…well, might not be.  Watching Shane’s spiral into darkness is stark and challenging.  It is painful to watch from the audience perspective because not everyone on screen sees what has happened to him.  On top of that, we have a family cut off from the horrors of the outside world who believe that the Walkers (zombies) are just sick people and are keeping them in a barn waiting for a cure. In the mid-season ender, there is an incredibly moving scene where our band of survivors make a difficult choice – especially when this concept hits very close to home for them.  Some other fans have been saying they find this season slow, but I disagree. I think the character development we have seen this year will really help us understand better how the show will continue and make us care more about the survivors as the story progresses.

American Horror Story – I wrote about this quickly before we left for SA, but I really can’t keep up with it like I can other series. It terrifies me – so Ryan Murphy; Mission Accomplished. I made the mistake of watching last week’s episode on Friday night before bed.  Spooky Little Girl was possibly one of the most visually terrifying show of the series so far. I tried to cleanse my palate by watching a rerun of The Big Bang Theory after it was over. I tried to go to bed, but I couldn’t sleep so I ended up sleeping on the couch with the lights and the Disney Channel on. True story.  Anyway, the show is completely over the top and entirely unbelievable – and yet, you can’t look away. The layers this show is built upon are dense and exciting. And it all exists in a little mythology so ridiculous that if it were packaged any other way would be asinine. But as it is, the show is fun. It is as fun as it is evil.

Grimm and Once Upon A Time – The head-to-head competition for the best Fairy Tale series is still continuing. I have to admit, I prefer the Monster of the Week theme of Grimm over the LOST-style flashbacks of Once Upon A Time. But, both are reasonably enjoyable. One thing I can say for Grimm that I haven’t been able to say about OUAT is that I am learning new things. The last two episodes featured tales that I wasn’t particularly familiar with, The Queen Bee and Bluebeard, which lead me to research and read versions of these stories the next day. How often does network television make you do research like that?

I’ll be sure to post updates as I can after series return post-Winter Holidays. Also, definitely stay tuned for more posts about beer – which will remain one of my favorite cultural topics and hobbies.

 

Has anyone noticed the “Wicca Club” posters that have been popping up on Glee?

I first noticed it this week, in the episode called “The First Time.” If you watch the episode, you will notice a scene in which Rachel and Finn are talking next to the school bulletin board.  Behind them, to the left, there is a small red and black poster that says “Wicca Club.”

At least two other bloggers also caught the poster on the episode “Asian F.”

It looks something like this, only more blood-red and gothic in style:

Of course, the immediate question that comes to mind is, Why is the pentagram upside down?  Someone had to make that choice, and with the faux-scary, gothic look of the actual poster, I have a bad feeling about the real message here.  You could argue that the upside down star is stylized as an M for McKinley High School, but I think that’s a bit of a stretch, especially since the huge pentagram on the poster doesn’t appear to connect to the rest of the school’s name.

Glee has dealt with the issue of religion in the past, but it has done so either through Mercedes convincing Kurt that church ain’t so bad or the situational irony of a pregnant Celibacy Club president who always wears a cross around her neck.  For diversity’s sake, they made Puck Jewish and he mentions it now and then.

What, if anything, will the show do with a Wicca Club?  The season has hit the middle of sweeps and there is a constant need to find new controversy to fuel the plots.  One of the show’s challenges is to remain light and funny while tackling some important issues like homophobia, bullying, and physical/mental disability. Could Wicca be next?

I tend to doubt it will become a running storyline.  I can see it driving one episode where, perhaps, Santana turns witchy and conflict with the rest of the group ensues.  Throw in a performance of “Dear Mr. Crowley” and “Witchy Woman” and you have an episode in the box.  What more could they do with it?  Any ideas?

 

Just a quick post before I head out the door this morning. There is a new show on FX that you should be watching. American Horror Story is the twisted tale of a family moving in to a really haunted house. Surprisingly, it is brought to us by the same writers and producers of Glee. It is incredible. I had heard about the show, but due to my predisposition toward nightmares I had chosen to avoid it. One Saturday while the sun was shining and my partner was playing on-line chess in the next room, I decided to give it a shot and pulled it up on my cable’s On Demand feature.  I watched the first three episodes and while I was sufficiently terrified, I also thought it was incredible. I encourage you to go watch it, especially if you might lean toward preferring darker entertainment. The horror story portion of the show is intense, but it is so flawlessly interwoven with the mythology of these characters that I believe it might be one of the best written series on television right now.

Now, here is the thing. Since I have initiated a self-imposed moratorium on watching the show both after dark and when I am alone, I have been unable to keep up with the series. I am now three episodes behind. But, I have purchased those episodes through the Amazon instant video store and will be catching up on the plane to South Africa.  After I sleep, of course.

 

This Pagan geek is a little more than upset that the world series preempted Fringe last night. That means two weeks without a new episode of Fringe and that is just the kind of thing that can kill a great show.  Don’t let this happen!  Tune in next week for the episode that was supposed to air last night.

In other geeky television news, It seems that Fairy Tales are the inspiration du jour for networks this year.  Both ABC and NBC have premiered new shows based on the childhood tales we know and love, but with a darker more dramatic twist.

ABC’s “Once Upon A Time” premiered on Sunday, 10/23. It begins in the enchanted fairytale land populated by all the Disney favorites. In fact, one must remember that ABC is owned by Disney so it has more than a nod to the parent company. The story was also created by folks who worked on LOST, and there are several ties to that show as well – especially in regards to numbers. In the beginning, Snow White and Prince Charming are married but in a typical fairy tale way the wedding is interrupted by the evil queen who says they won’t know where or when, but she is cooking up something huge.  Interspersed with the fairy tale story is one of a bounty hunter in Boston named Emma Swan. She appears to be a typical femme fatale character – street wise and beautiful and living in what appears to be a really expensive apartment considering how much money she must make with her day job.  She is ambushed by a 10 year old boy who claims to be her son. She doesn’t want anything to do with him, but agrees to take him back to his home in Storybrooke, Maine where he says everyone is torn from the pages of the fairy tales but don’t know who they are.  The pilot was very much an establishment episode – now we know the premise and the characters so things should start happening soon.

NBC’s “Grimm” premiered on Friday October 28th.  This show also has a pedigreed writing staff – some of the team from Buffy and Angel. Grimm positions itself like a run of the mill cop drama, but with a Buffy-like twist. Fairy tales are real and Nick is the only person who can handle the chaos they are biring to Portland Oregon (interestingly, all the way across the country from the events in Once Upon A Time).  Nick is also ambushed, this time by the aunt who raised him. She is dying and it appears her super powers are transferring to him, as the only living person from the family line of the famous Grimm brothers. It is implied that the Grimms weren’t just archivists of folk tales, but vigilante hunters of the dark and deadly creatures from the stories they cataloged.  What I liked most was the unexpected twist at the end of the pilot episode. Maybe I should have been expecting that, but I wasn’t and it certainly got my attention.

It is funny, after Once Upon A Time premiered I read a lot of reviews that indicated it would win the fairy tale race. But now that Grimm has officially aired, there are just as many that place the cop drama on top. A quick Google search of “Once Upon A Time vs. Grimm” will bring up a ton of them.

I liked both shows. I thought both had their strengths and weaknesses and both have enough of the types of things I like in television shows to keep me watching.

Once Upon A Time does seem a little constricted by its premise. Fairy Tale characters don’t know who they are and there is only one person who can save them all.  Well, what happens when they are saved? How long can you stretch that out? Grimm has more of a Monster of the Week vibe, like its parent show Buffy. Even if they introduce a broader story arc, this formula could lead to more flexibility in the telling.  However, I believe that Once Upon A Time demonstrated a more concise writing style where Grimm seemed to rely on some cheap humor that wasn’t packaged as cleverly as other shows in the genre.

In either case, it is exciting to see more than one show on network television with more to offer than just a courtroom drama or housewives, desperate or otherwise.

 

I really don’t have much to report on last weeks season premiers. I was most excited, as you might expect, by the premier of Fringe on Fox.

The truth is there wasn’t anything overtly Pagan about this episode. The whole series has an overarching mythology that I have suggested would be attractive to Pagans in general, but this episode didn’t really have much to pull a Pagan non-fan into the series. However, it was amazingly written and acted and the perfect season premier.  I am excited about the newest regular cast member and I am beyond geeked about the mystery of the season that needs to be solved.

So, I suppose you just have to take my word for it. Fringe is a show that would appeal to the Pagan Geeks among us.  Even though there was nothing specifically Pagan about this episode, I wanted to keep up with my coverage of it so when something Paganish happens I can spring into action.

 

I have been pleasantly surprised by the complexity of the newest episodes of Doctor Who. I recently posted about the episode The Girl Who Waited, which has quickly turned into one of my favorite episodes of anything.  The episode that aired this past weekend was just as deep.  Titled The God Complex, the latest offering from current show runner Steven Moffat and episode writer Toby Whithouse (who also created the British Being Human) explores spirituality and belief. It does it with just a touch of Greek Mythology.  If you haven’t watched the episode yet, I want to encourage you to do just that, so I have put my musings behind this convenient cut.

However, do watch the space this week.  This is premier week on TV and there are a few things I am excited about, not the least of which is the Season Premier of my favorite show, Fringe.

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