Just a quick post before I head out the door this morning. There is a new show on FX that you should be watching. American Horror Story is the twisted tale of a family moving in to a really haunted house. Surprisingly, it is brought to us by the same writers and producers of Glee. It is incredible. I had heard about the show, but due to my predisposition toward nightmares I had chosen to avoid it. One Saturday while the sun was shining and my partner was playing on-line chess in the next room, I decided to give it a shot and pulled it up on my cable’s On Demand feature.  I watched the first three episodes and while I was sufficiently terrified, I also thought it was incredible. I encourage you to go watch it, especially if you might lean toward preferring darker entertainment. The horror story portion of the show is intense, but it is so flawlessly interwoven with the mythology of these characters that I believe it might be one of the best written series on television right now.

Now, here is the thing. Since I have initiated a self-imposed moratorium on watching the show both after dark and when I am alone, I have been unable to keep up with the series. I am now three episodes behind. But, I have purchased those episodes through the Amazon instant video store and will be catching up on the plane to South Africa.  After I sleep, of course.

 

This Pagan geek is a little more than upset that the world series preempted Fringe last night. That means two weeks without a new episode of Fringe and that is just the kind of thing that can kill a great show.  Don’t let this happen!  Tune in next week for the episode that was supposed to air last night.

In other geeky television news, It seems that Fairy Tales are the inspiration du jour for networks this year.  Both ABC and NBC have premiered new shows based on the childhood tales we know and love, but with a darker more dramatic twist.

ABC’s “Once Upon A Time” premiered on Sunday, 10/23. It begins in the enchanted fairytale land populated by all the Disney favorites. In fact, one must remember that ABC is owned by Disney so it has more than a nod to the parent company. The story was also created by folks who worked on LOST, and there are several ties to that show as well – especially in regards to numbers. In the beginning, Snow White and Prince Charming are married but in a typical fairy tale way the wedding is interrupted by the evil queen who says they won’t know where or when, but she is cooking up something huge.  Interspersed with the fairy tale story is one of a bounty hunter in Boston named Emma Swan. She appears to be a typical femme fatale character – street wise and beautiful and living in what appears to be a really expensive apartment considering how much money she must make with her day job.  She is ambushed by a 10 year old boy who claims to be her son. She doesn’t want anything to do with him, but agrees to take him back to his home in Storybrooke, Maine where he says everyone is torn from the pages of the fairy tales but don’t know who they are.  The pilot was very much an establishment episode – now we know the premise and the characters so things should start happening soon.

NBC’s “Grimm” premiered on Friday October 28th.  This show also has a pedigreed writing staff – some of the team from Buffy and Angel. Grimm positions itself like a run of the mill cop drama, but with a Buffy-like twist. Fairy tales are real and Nick is the only person who can handle the chaos they are biring to Portland Oregon (interestingly, all the way across the country from the events in Once Upon A Time).  Nick is also ambushed, this time by the aunt who raised him. She is dying and it appears her super powers are transferring to him, as the only living person from the family line of the famous Grimm brothers. It is implied that the Grimms weren’t just archivists of folk tales, but vigilante hunters of the dark and deadly creatures from the stories they cataloged.  What I liked most was the unexpected twist at the end of the pilot episode. Maybe I should have been expecting that, but I wasn’t and it certainly got my attention.

It is funny, after Once Upon A Time premiered I read a lot of reviews that indicated it would win the fairy tale race. But now that Grimm has officially aired, there are just as many that place the cop drama on top. A quick Google search of “Once Upon A Time vs. Grimm” will bring up a ton of them.

I liked both shows. I thought both had their strengths and weaknesses and both have enough of the types of things I like in television shows to keep me watching.

Once Upon A Time does seem a little constricted by its premise. Fairy Tale characters don’t know who they are and there is only one person who can save them all.  Well, what happens when they are saved? How long can you stretch that out? Grimm has more of a Monster of the Week vibe, like its parent show Buffy. Even if they introduce a broader story arc, this formula could lead to more flexibility in the telling.  However, I believe that Once Upon A Time demonstrated a more concise writing style where Grimm seemed to rely on some cheap humor that wasn’t packaged as cleverly as other shows in the genre.

In either case, it is exciting to see more than one show on network television with more to offer than just a courtroom drama or housewives, desperate or otherwise.

 

I really don’t have much to report on last weeks season premiers. I was most excited, as you might expect, by the premier of Fringe on Fox.

The truth is there wasn’t anything overtly Pagan about this episode. The whole series has an overarching mythology that I have suggested would be attractive to Pagans in general, but this episode didn’t really have much to pull a Pagan non-fan into the series. However, it was amazingly written and acted and the perfect season premier.  I am excited about the newest regular cast member and I am beyond geeked about the mystery of the season that needs to be solved.

So, I suppose you just have to take my word for it. Fringe is a show that would appeal to the Pagan Geeks among us.  Even though there was nothing specifically Pagan about this episode, I wanted to keep up with my coverage of it so when something Paganish happens I can spring into action.

 

I have been pleasantly surprised by the complexity of the newest episodes of Doctor Who. I recently posted about the episode The Girl Who Waited, which has quickly turned into one of my favorite episodes of anything.  The episode that aired this past weekend was just as deep.  Titled The God Complex, the latest offering from current show runner Steven Moffat and episode writer Toby Whithouse (who also created the British Being Human) explores spirituality and belief. It does it with just a touch of Greek Mythology.  If you haven’t watched the episode yet, I want to encourage you to do just that, so I have put my musings behind this convenient cut.

However, do watch the space this week.  This is premier week on TV and there are a few things I am excited about, not the least of which is the Season Premier of my favorite show, Fringe.

Continue reading »

 

Welcome to Chance Harbor where the teen witches are comely, the magic is real, and the parent witches are up to no good. The ones who are left alive, that is. Apparently, the bad ones routinely kill off the good ones, and so it’s another day at the office for Diane’s dad, Charles, who uses his sympathetic Blue Diamond Matches of Doom to immolate our heroine Cassie’s Mom. Goodbye Amelia: we hardly knew you, but at least you had the foresight to leave your daughter a nice note (with just the right amount of unspecific paranoia) in your family’s Book of Shadows hidden a thousand miles away in the mantle of the fireplace in your bedroom at your Mom’s house which you left sixteen years ago around the time Cassie was born never to return. Nice bit of foresight there.

So there was a bit of sympathetic magic and a bunch of improvised chants in this first episode, but mostly the magic of Chance Harbor appears to be of the stare-at-the-object-meaningfully school of film magic. That’s probably better than a Samanthan nose-twitch or a Jeannie blink, but it’s pretty clear that we’re not going to plumb the depths of Ceremonial Magic or even a good old Wiccan circle casting on this show. Apparently, the mean old parents do, however, wish to manipulate the young witches into performing something called “The Ritual”, and so we’ll see.

Of course, it’s not clear that the younger generation is much better than the old. Mean girl Faye impulsively decides to use her magic staring powers to “test” Cassie by locking her in her car and setting the engine on fire. Stupid Faye: don’t you know that the real way to test to see if someone’s a witch is to throw them in the water and see if they float? And the water’s right there. You’re in Chance Harbor, after all. In any case, Adam is able to use his magic staring powers to rescue our poor Princess Cassie. He’d make a good match with Cassie if he weren’t already dating Diana. Of course, that fact does not stop him from getting a little sugar later in the forest with Cassie after he shows her that she too has magic staring powers by initiating her with the ever popular Floaty CGI Dew-balls of Incipient Forbidden Love spell.

The presence of Cassie in Chance Harbor completes The Secret Circle enhancing everyone’s magic staring powers, and so, of course, the first thing Stupid Faye wants to do with hers is raise a hurricane. Oh, well, any excuse to get our pretty young actresses sopping wet, I guess. (To be fair, the only really gratuitous shots of the good looking cast in the Pilot were of Cassie’s hard-abbed neighbor Nick.) Fortunately, Cassie is there to put a damper (so to speak) on Stupid Faye’s Tempest of Because I Can, and all is safe for the next installment.

I may snark, but I enjoyed the first episode. The cast shows some promise, and there are some definite improvements over the novels. Making the Good Girl Diane the daughter of the villain is a great way to pile drama on top of the love triangle. Based on Adam’s line that their lineage goes back to 1692 and the fact that Charles torments Adam’s father Ethan by filling his lungs with water, I’m guessing that Charles has been possessed by the spirit of Black John (who was drowned by his coven back in the day) which presents some redemptive or tragic possibilities for his character. Cassie does not find her Book of Shadows until nearly the end of the novels, and so here she’s immediately given access to the magic of her ancestors. In the novels, Cassie meets Adam by rescuing him which I certainly prefer to what happened here, but she rescues him from a bunch of witch-hunters, and I’m glad that they are keeping that group out of the picture at least for now.

The only really troubling moment so far was not in the show itself, but, rather, in the insider interview with Executive Producer Kevin Williamson during a break when he stated that their magic has an undercurrent of evil. He might have been referring to the specific evil personified by Black John in the novels, but I’m concerned that he might be pandering to the “all magic is evil” elements of our society. All we can do at this point is watch and see how the series plays out. What did you guys think?

 

All right True Blood. I championed you all season hoping that you might come around and show the Wiccan characters in a positive light. Instead, you disappointed me with many things but not the least of which was your continuing lack of detail. It really isn’t that hard to find out how to pronounce Samhain. And while I understand that there may be many variations, there are some common pronunciations. This is just like your rather embarrassing Dionysian invocation from Season 2; “Lolo Bromios!”  In that case, you didn’t even have to go talk to the weird polytheists to get the real info. Talk to a classics professor to make sure you’re getting it right. With that level of sloppy story telling, it isn’t hard to imagine what else you got wrong. Problem is, non-Pagans don’t necessarily know that.  Like I’ve said before, we shouldn’t be looking to HBO for our accurate information about Wicca, but to screw up something so basic more than once is just sloppy – and I would consider it sloppy no matter what it was they missed the mark on.

I had high hopes for Holly Cleary. All season I hoped she took up the mantle of Wicca and rode fearlessly into the night.  Not only did she not, she only reluctantly helped Tara and Sookie in this episode and that was only after a nice long toke.  I didn’t really want to see the only “real” Wiccan character is a pot smoker. It just doesn’t give me the best impression. And why would she be so nervous on Samhain in the first place? And why is she working?  Shouldn’t she be honoring the Gods?  I guess that is what you get from living in weirdness magnet Bon Temps.

I thought season 4 had its moments, but as a package it fell short of the typical standard that HBO sets for series television.  I suppose there is only so much you can do with it in the first place. The last few minutes were interesting, but it leaves me wondering just what storyline they are going to use next season. Does’t seem like the books fit in any more.

If you’re looking for some great television to cleanse your palate this week, check out the newest episode of Doctor Who which aired on BBC America on Saturday.  The Girl Who Waited was engaging, beautifully acted, and heartbreaking. I cried a couple of times watching this episode, and it was worth it. It might be my favorite hour of television all summer.

 

Sorry for the radio silence folks. I went to Dragon*Con last weekend, which was awesome, but then came down with what some folks like to call the Con Crud, which was not awesome.  I am just now starting to feel human again, so I wanted to pop by to post my impressions of the most recent True Blood episode that aired last Sunday, September 4th, Soul of Fire.

So, now to see who read past the title to see what I meant by it. It seems to me that the producers of True Blood (and of any similar television series, really) have just one objective: to get ratings. For this episode they tapped into the dark and sexy magic of Bon Temps resident Brujo, Jesus. To that end they use a lot of death, blood and special effects – things that are sexy on television. In a way that makes it sometimes difficult to tell “good guy” from “bad guy”, Jesus uses his powers to save everyone from Marnie who has now bound Antonia’s spirit to her self and is hell bent on killing the vampires and anyone else who gets in the way.  Marnie, who started out as a pretty sympathetic (or pathetic) character really turned the tables once we learn that she is not just a conduit for an evil spirit from the Spanish Inquisition but, rather, a disturbed woman using her magic, and even religion, to get her own revenge on the world.  I am not saying that is completely inaccurate. I have known plenty of Pagans who might be on this path for what we perceive as the wrong reasons. True Blood just takes that to the next level – a Hollywood level.

But the real Wiccans are left in the dust. Holly Cleary is exactly that character. I guess when it comes down to brass tacks, it is simply more sexy to show Jesus and Lafayette covered in blood invoking a demon than it is to show Holly lighting some candles and honoring the Goddess.  The truth is, what we do as Pagans is still considered “weird” by most non-Pagans, if they even know we exist in the first place.  I bet if you asked the producers of True Blood how they did, the would feel they did a pretty good job depicting Wiccans.  Wiccans, in general, are kind of boring and we don’t make very good television.  Brujos and demons and vampires and misguided women who use magic negatively – those make good television.

The show isn’t done yet. One more episode is set to air this coming Sunday, September 11th.  It seems to me that they have an awful lot of content to wrap up in just one hour of television.  Especially with the “surprise” ending of last week’s episode.

 

I have been reading a really interesting book, The Mysteries of Mithras: The Pagan Belief That Shaped the Christian World by Payam Nabarz (Inner Traditions, 2005) and have been finding out all sorts of interesting things about Mithras, the Persian Sun God adopted by the Romans. An “ancient Indo-European god worshipped in polytheistic Persia” as early as 2000 BCE, He is “almost certainly” the Vedic Mitra venerated in India as the Lord of Light and the Protector of Truth; in Persian Farsi, “Mithra” means “love,” “sun,” and “friend,” detailing almost the whole of the “Mithraic mystery”- a Deity “friend,” who is the Light of the Sun and who is also the embodiment of Pure and Unconditional Love. Adopted by the Romans from approximately 100 BCE to 400 CE, Mithras’ worship as the “Invincible Sun God” spread throughout the Roman army, resulting in a “synergetic” religion that was perhaps the “most sophisticated in the Roman world,” the last Pagan state religion in Rome and the most “important competitor to early Christianity.” Mithraic temples have been found throughout the Empire, from Palestine through the North of Africa all the way to the British Isles (temple-remains are still seen in London); as was often the case with Pagan holy sites, Christian churches were sometimes built on top of Mithras’ temples. (Of all the Mithraic artifacts found, probably none compares to what was discovered at Sarrebourg, in Lorraine, France, when a shrine to Mithras was uncovered- with the skeleton of a man chained to the altar, and the door to the sacred room bricked up; Nabarz speculates [p. 52] that the man was a priest to Mithras who refused Christian conversion- and so was fastened to the altar of his Pagan God, walled up Edgar Allen Poe-like in the temple, and left to his Pagan fate.)

There are many connections between Mithras and Jesus, and Mithraism and Christianity: Persian Mithra and Roman Mithras were both said to be born on the Winter Solstice, to a virgin Mother Goddess (a bit of Persian mythology), in a cave or grotto, to which shepherds repaired with gifts for the Divine babe. Followers of Mithras worshipped in “cave temples” or “hidden caves,” which resemble early churches; one of the things that made Mithraism attractive to the Roman Legions was the absolute equality practiced among its members: whether slave, freedman, citizen, merchant, soldier, or emperor, all devotees of Mithras were held to be completely on a level with any other, an attitude expressed in Mithraic initiation (where a slave could initiate a ruler, or a legionary a senator). The hardcore democratic principles of Mithraism were reflected in the customs of the sacred meal that Mithras’ followers enjoyed together; in a society where gender and social differences were delineated by strict dining rules, the equality of community shared by Mithraics was extraordinary and noteworthy.

Most significant was the identification of a Mithraic High Priest as the “Pater” (Father) to a congregation of worshippers; in a case where a community of believers shared more than one priest, the “Highest” Priest became known as the “Pater Patrum”- the “Father of Fathers.” For all that Mithras was absorbed into the Western world, His Asiatic origins continued to be apparent, in His Persian trousers and Phrygian cap (a type of cap popular in ancient Phrygia, or modern-day Turkey, distinguished by the peak, which rests pointing forward over the forehead).

Also known as the “Liberty Cap” (associated with the Roman Goddess Libertas), the Phrygian Cap was worn by the French Revolutionaries as an emblem of “fraternity, equality, and liberty”; by 1792 it comprised part of the uniform of the Sans-culottes and after the fall of the Tuileries, Louis XVI was forced to wear one as a sign of his transition from Monarch to Citizen. An important distinction- unlike the Cap of Libertas (which is any color), the Liberty Cap was always red- red like the color of blood, the sun, and life, and red, like the Phrygian cap worn by a Mithraic Pater.

All of which becomes pertinent, in examining (wait for it) the Smurfs.  Sort of blue-skinned leprechauns, the Smurfs are notable for living in a pronounced communitarian and cooperative way (I remember jokes about the Smurfs being basically a Communist society, when the cartoon show started in the 1980s). Never mind that this “all for the basic good” lifestyle is exactly the type espoused by the Cult of Mithras: people have long sniggered over the question of, “How precisely do Smurfs reproduce- if there is only one female Smurf [Smurfette]?”

The answer is simple, if one is acquainted with the mythology of Mithras, and the Persian legend of an eternal Virgin Goddess who begats new generations without resort to male company- Smurfette produces young Smurfs as need be, and the creepier issues of Smurf-incest and group Smurf-sex never arise. And lastly, what to make of the fact that the signature headgear for the Smurfs is exactly the same peak-facing-forward Phrygian cap otherwise associated with the Ancient World cult of Mithras and the firebrands of the French Revolution- and that the only Smurf to wear a red cap (red being the color of a Mithraic Pater or ‘Father” to the Mithraic community) is the paternalistic “Papa Smurf”? Perhaps rather than as kitschy redo of 1980s pop-culture- the Smurfs Movie might instead be read as the frolicsome hi-jinks of a prototypical band of Mithras-Worshippers.

 

Well, it seems that mild-mannered Marnie isn’t as mild-mannered as we had assumed. Even Antonia is a little frightened by what she has witnessed.  The old spirit wants to call off the whole thing, but Marnie maintains control to get revenge on not only the vampires who have wronged her but the humans as well.

Marnie/Antonia are holding the witches hostage in Moon Goddess Emporium.  Holly, Bon Temps real Wiccan, talks Tara into helping her find and cast a counter spell. Tara is concerned that she doesn’t speak Latin so they shouldn’t try the spell but Holly maintains that magic is about intention and she would like to believe the Goddess would hear them even if they don’t get all the worlds right.  They cast the counter spell right under Marnie’s nose proving that while she is evil, she isn’t very observant. But she is faster than she looks and as the girls are making their escape, she stops them and transports them to somewhere unknown.

Just like in life, in True Blood there are good people and bad people. There are good vampires and bad vampires. There are good witches and bad witches.  There are only two more episodes left, so I am curious to see how the season plays out.

 

I thought season four of True Blood started out a little slow, but I liked the newest episode “Let’s Get Out of Here” that aired yesterday, Sunday August 21.

There was an exploration of polyamory which was as informative as it was sexy. There were some witchy stereotypes played off for laughs. There is Roy, and we all know a Roy. In fact, I’ve known several.  He seems to represent that wide-eyed naive newbie witch who wants to try some of everything, even if that means following the spirit of a long dead Spanish woman taking revenge the vampires. Back in the day, when I was in college, we did stuff like this but we were playing at it. I call it Dungeons and Dragons Wicca now. We also see Antonia, now fully possessing Marnie, become more and more cruel as she kidnaps the Wiccans to keep them out of her way while she goes off to kill the vampires.  Holly once again expresses that she can get caught up in the dark magic.  And then we have the unnamed Wiccan who declares that she is not a real witch, she just got into to piss off her parents.  I’ve known those folks too.

There are only a few episodes left. In two weeks I will be at Dragon*Con in Atlanta where Charlaine Harris will be a featured guest.  I’ll see if I can get any insider information for our faithful Juggler readers.

 

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